High (David Hallyday song)
"High" is a 1988 song recorded by French artist David Hallyday. It was the second of the four singles from his debut studio album True Cool. Released in November 1988, the song was a hit in France, becoming David Hallyday's first number-one single.
Song information
The song was composed by Lisa Catherine Cohen and the music composed by the singer himself. As for the rest of the album, lyrics are in English-language. The music video was shot in a church, Hallyday playing the organ, while a chorus composed of women chanted 'high' during the refrains. With this vigorous song, Hallyday presents "a musical style at the joint of Californian rock and pop".
In France, the single debuted on the singles chart at #45 on November 19, 1988, climbed quickly and entered the top ten in its fourth week. It topped the chart for five consecutive weeks, then almost didn't stop to drop on the chart and totaled 15 weeks in the top ten and 23 weeks in the top 50. Although it was not certified by the SNEP, the French certifier, its sales made the song the 440th best-selling single of all time in France. The song was the most successful from the album True Cool and the second one in Hallyday's career, behind "Tu ne m'as pas laissé le temps".
High (The Blue Nile album)
High is the fourth studio album by Scottish band The Blue Nile, released on 30 August 2004 on Sanctuary Records. A single, "I Would Never", was released one week prior to the album: a second song, "She Saw the World", was made available as a promotional single, but never released officially.
"Soul Boy" had already been recorded by former Spice Girl Melanie C for her album Reason the previous year.
Critical reception
The album received generally favourable reviews, with many critics considering High to be a stronger album than their previous effort Peace at Last. AllMusic said "the Blue Nile have returned with a more balanced album [than Peace at Last] and Buchanan is broken-hearted again, thank the stars. He's been struggling with fatigue and illness and as selfish and inconsiderate as it sounds, it's brought the spark back to his writing... given the time to sink in, the album fits well in their canon."The Guardian believed that with High "the emotional commitment of Peace at Last is combined with the observational detachment of the earlier work... In pop, most people do their best work within five or six years. How extraordinary, then, that after more than two decades of activity, the Blue Nile remain on course, their range expanded, their focus more refined, unshaken in their determination to proceed at their own measured pace."
High (Knut Anders Sørum song)
"High" was the Norwegian entry in the Eurovision Song Contest 2004, performed in English by Knut Anders Sørum.
The song is a dramatic ballad, with Sørum expressing his desire to bring an unnamed person "high". The lyrics suggest that this person has been beset by problems, and that Sørum believes he can go some way to curing them.
As Norway had finished the Eurovision Song Contest 2003 in the top 10, the song was pre-qualified for the final. Here, it was performed third, following Austria's Tie Break with "Du bist" and preceding France's Jonatan Cerrada with "À chaque pas". At the close of voting, it had received 3 points, placing 24th (last) in a field of 24, thus requiring Norway to qualify through the semi-final at the next Contest.
The low score, and long wait before Norway scored any points at all, led Australian commentator Des Mangan to jokingly offer money for anyone prepared to vote for the country. Initially, this was "a thousand bucks", later climbing to "ten thousand bucks and my house". Mangan explained during this commentary that he did not want Norway to further extend its unwanted record of failing to record a point on the most occasions.
Production (Mirwais Ahmadzaï album)
Production is the second album composed and produced by Mirwais Ahmadzai known under his artist name Mirwais. The album has been released through the French independent label Naive Records in April 21, 2000.
Background
It has taken two years, starting early 1998 and finishing December 1999, for Mirwais to complete the composing and production of his second album. Most tracks have been mixed in his personal studio in Paris. Mastering has been done at The Exchange, London, by Simon Davey, except "Disco Science", mastered by late Nilesh Patel.
"Naive Song" is likely to be one of the very first track ever, using the auto tune voice fx.
Critical reception
Production has been praised by music critics worldwide, including magazines like Rolling Stone, Entertainment Weekly and NME
Music Video
Several music videos were released for Production. "Disco Science" was directed by French photographer/artist Stéphane Sednaoui in 1999 and released the same year. Inspired by Nagima Oshima's film "In The Realm Of Senses" the explicit visual content doesn't allow the video to aired during the day on generalists TV network.
The second video, for "Naive Song", was directed by the photographer Jean Baptiste Mondino during 2000.
Stéphane Sednaoui directed another video for "I Can't Wait", which was released as the third single.
End
End or Ending may refer to:
End
END
Ending
See also
Conclusion (music)
In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."
For example:
End (graph theory)
In the mathematics of infinite graphs, an end of a graph represents, intuitively, a direction in which the graph extends to infinity. Ends may be formalized mathematically as equivalence classes of infinite paths, as havens describing strategies for pursuit-evasion games on the graph, or (in the case of locally finite graphs) as topological ends of topological spaces associated with the graph.
Ends of graphs may be used (via Cayley graphs) to define ends of finitely generated groups. Finitely generated infinite groups have one, two, or infinitely many ends, and the Stallings theorem about ends of groups provides a decomposition for groups with more than one end.
Definition and characterization
Ends of graphs were defined by Rudolf Halin (1964) in terms of equivalence classes of infinite paths. A ray in an infinite graph is a semi-infinite simple path; that is, it is an infinite sequence of vertices v0, v1, v2, ... in which each vertex appears at most once in the sequence and each two consecutive vertices in the sequence are the two endpoints of an edge in the graph. According to Halin's definition, two rays r0 and r1 are equivalent if there is another ray r2 (not necessarily different from either of the first two rays) that contains infinitely many of the vertices in each of r0 and r1. This is an equivalence relation: each ray is equivalent to itself, the definition is symmetric with regard to the ordering of the two rays, and it can be shown to be transitive. Therefore, it partitions the set of all rays into equivalence classes, and Halin defined an end as one of these equivalence classes.
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